Chapter 473 "Johnny and Cherry"

The words of the tragic writer made everyone present stunned for a moment.

Although the tragic writer personally "sacrificed" Annan before... But this behavior itself is disturbing.

——Because this means that the tragic writer has indeed thought about how to take away Annan, who is "immune to forced transfer skills". That's why he is so well aware of Annan's characteristics, and knows how to bypass Annan's characteristics and take Annan away.

It's like when I went out and couldn't get home because I lost the key, and when I was in a hurry, a bear-faced neighbor suddenly reached out to hold me and said "don't be afraid" loudly.

Then he took out his house key from his pocket.

——Caffney's eyes became sharper at that moment.

Therefore, apart from Maria still sincerely expressing her gratitude to the tragedian for bringing Annan back... the other people in the room were full of vigilance against the sudden appearance of the tragedian.

After all, the difficulties Annan encountered were not resolved by him. He just slightly reduced the trouble Annan encountered-and this trouble has nothing to do with Annan's safety, it just needs to explain the situation of "Duke Winter is missing".

Perhaps only Annan himself will think this is a trouble...

Maria did not care about the attitudes and opinions of strangers other than her acquaintances.

On Noah's side, even Cafney herself didn't think it was strange—after all, the eldest princess and Philip were much more outrageous than this. When Annan came to visit for the first time that year, Philip even tried to blow up Annan...

Noah people are notoriously lazy and free, and it is normal for leaders to lose the chain in formal occasions. As long as you can come back at the last moment and don't cause trouble to others, no one will say anything.

In this situation, as long as one says "I went out to play, what's the matter", the eldest princess can only reply "That's all right". Only people in Dongdong who are too serious will take this kind of thing seriously.

Salvatore, on the other hand, trusted Annan more and more.

He said it from the bottom of his heart, and he didn't think Annan would have an accident in this kind of place. He almost regarded Annan as a god—as if Annan could "predictably" guess any difficulties encountered, and solve them in an orderly manner.

So he has no gratitude at all to the tragedies. On the contrary, I still feel that Annan's accident is mostly related to the tragedy writer-otherwise, why would he appear on the scene at the first time?

Although this can be regarded as a preconceived judgment of Salvatore.

But this time, his judgment was quite accurate...

The tragedies did have something to do with it, it's just that Annan didn't care much. After all, it is rare for a tragedy writer not to do anything... Now that he has finished his work and watched the fun, he can voluntarily come over to wipe his ass, and Annan is already very content.

But also because of this.

Although the tragedies "made a contribution" this time, no one paid any attention to the tragedies when Kafni and Senior Saar were telling stories.

Than this story was written by the tragic writer himself.

On the contrary, as a god, it is even more surprising that he squeezed in and chatted on his own when everyone obviously didn't want to see him...

"This isn't a story you 'weave', is it?"

Annan questioned.

His words were rather tactful.

In fact, what Annan really wanted to express was, "Wouldn't it be you who killed those two people?"

This is indeed something a tragedian can do.

He himself is the type who can easily twist the fate of others in order to pursue a more enthusiastic "wonderful story".

"No, no, then you misunderstood me, didn't you? I didn't even know this information first-hand."

The tragic writer waved his hands again and again, and said with an innocent face: "At least in this case, I did nothing..."

"In other words, it was indeed done before, right?"

Annan, who was squatting in the box, glanced at him sideways.

Perhaps it was because of Annan's soft body, and he also suspected that the tragic writer had attached some strange magic to the box. He didn't expect that this box was surprisingly comfortable to squat on... He was a little lazy for a while and didn't want to go out.

"Oh, everyone knows this kind of thing. It's boring to talk about it, isn't it..."

The tragic writer laughed and avoided answering.

However, his way of responding is actually tantamount to answering this question in jest—the tragic writer is obviously aware of his own behavior and has nothing to hide. But anyway, he still knows that this is at least not worth advocating for ordinary people's moral standards.

"Is there any hidden secrets about that incident at that time?"

Maria asked the tragic writer: "Which of these two versions of the story is closer to the truth?"

It can only be said that it is indeed a fairy tale for Kafni, and it is really customized for princesses-not only Kafni can remember it clearly, but Maria also has a little interest in it.

Although Maria is already the master of the tower, she is still the supreme controller of the Hand of Winter.

But she is actually only eighteen years old this year. A little older than Annan and Cafney, but not much older... put it in the place of ordinary wizards, even at the age of not graduating from the wizard tower.

"There are indeed some untold truths."

The tragic writer nodded, and immediately regained his spirits: "I think you have also noticed that I did not mention the real name of 'Countess' in the story."

"Is it because the United Kingdom asked you to hide this name for the sake of the reputation of the noble collective?"

Maria responded subconsciously according to the behavior style of the Duke of Winter.

In the name of the old grandmother, Grand Duke Winter can even scold the passing gods on some trivial matters.

But she soon realized that something was wrong: "No, it's not right..."

Tragedy writers are evil gods in both Winter and Theocracy.

In Noah and the underground world, he can pass normally...but obviously there are no benefits, and he will not be allowed to build a temple in the territory that allows public worship. Even as long as you believe in a tragedy writer, you will be vigilant or suspicious by the people around you.

But in the United Kingdom... tragedies are allowed to be worshiped publicly, and his status is obviously much higher than that of a "countess".

Even if the Countess was a member of the "Council", she could not order the tragedy writer to "hide" her name at will.

"The countess did put pressure on me, but not as a 'countess'... but as the tower master.

"Speaking of which, His Majesty Annan still knows the Countess."

The tragedy writer said with a smile: "Her name is... Ingrid.

"It's the one you know, [Eternal Daughter] Ingrid."