Chapter 140 Drawing a Spiritual Realm Painting

Chapter 139

Early in the morning of that day, Rosen waited for another private trainer at the entrance of the hotel.

Finding out that Rosen was only Sequence 7, Viscount Aib's attitude was obviously much more enthusiastic.

After returning to the hotel, Rosen followed Viscount Aib into his void gallery.

This was the first time Rosen entered someone else's void gallery. This was not a moving maze type gallery, but the simplest nesting doll type. The way to expand the void gallery was to put a new void gallery on the outside.

On the walls on both sides of the gallery, Rosen saw a series of spiritual paintings containing the characteristics of space paintings.

These paintings were all paintings of alien life. He followed Viscount Aib into a space painting with a slime.

Looking at this painting from the outside, the painting showed a slime sleeping in a cave.

The cave was empty, as if there was nothing but slime.

But when you walk into the space in the painting, you will find that there is a prison deep in the cave that imprisons slimes.

A normal space painting looks like the surface, and the space in the painting looks like that.

However, abilities like painting in painting, pasting, or drawing can hide part of the true appearance of the space in the painting, making it difficult for people to guard against it, and at the same time, it can also give spiritual paintings stronger power.

Rosen knew how to master the drawing technique, so the mind canvas projected a concrete chair and easel.

Then he laid out the human skin drawing paper, took the magic pen disguised as an ordinary extraordinary object brush and began to draw the slime in the prison.

Rosen didn't know the drawing technique, but he was too familiar with the basic drawing techniques.

Drawing techniques are actually high-end realistic paintings.

The paintings are more delicate than high-definition photos, and there is no difference when placed next to real slimes.

For painters who have basically mastered self-portraits, it is not difficult to master the LV1 drawing technique.

Rosen's hands formed afterimages, and the pen tip was even divided into several parts under the control of the spirit. When painting the delicate parts, he could use the split pen tip to paint at the same time. This is also the result of gradually trying to do more than one thing after mastering two things at the same time.

Rosen quickly completed the spiritual painting, and Viscount Aib shook his head and tore it up directly.

He began to take out the prepared extraordinary materials and taught Rosen how to mix the paints by himself.

The real painting technique, while perfectly replicating the appearance, also needs to perfectly depict all the charm of the reference object.

Spiritual paintings all have charm, and the things they draw are vivid.

But this charm is actually the painter's own spirituality, which is the painter's integration of his own spirituality into the painting.

And the painting technique needs to integrate the other party's spirituality and charm while integrating his own spirituality.

However, unless the target is a puppet of the painter, how can it be possible to cooperate and integrate his own spirituality.

Even if the target is very obedient, the target is not a painter. If you want to integrate your own spirituality into the spiritual painting, you must not have any conflict with the painter's spirituality. It is almost impossible to do it.

At this time, the painter needs to master the painting technique based on the attachment of spirituality.

It is necessary to combine your own spirituality with specially formulated pigments to perfectly simulate the target's spirituality.

Only in this way can the charm that belongs only to the target model be perfectly reproduced in the painting.

At this time, the terribleness of this spiritual painting will be revealed.

Rosen mastered the mental canvas, so he could easily grasp the spirituality of the slime in the cell.

Then, under the guidance of Viscount Aibu, he successfully mixed the appropriate pigments.

By blending his own spirituality with spiritual attachment, he successfully used pigments to draw the spiritual charm of the slime.

Viscount Aibu nodded with satisfaction this time, somewhat shocked by Rosen's mastery speed.

Rosen carefully perceived this spiritual painting at this time, and clearly perceived that it was completely different from the previous spiritual paintings.

Through the slime in the painting, he could truly feel the condition of the slime in the cell.

Whether the body is comfortable, happy or uncomfortable, hungry or not, these basic conditions can be clearly felt through his own painting, which is equivalent to all-round monitoring of this slime at all times.

Rosen sensed the extraordinary source quality, and indeed he had successfully mastered the LV1 drawing technique.

Viscount Aibu accelerated the teaching progress and took Rosen to change a target model to improve the drawing technique.

After that, it took only one month for Rosen to upgrade his drawing skills to LV3.

This is the monster-like learning ability brought by the mental canvas, extensive knowledge and cultural theocracy. I dare not say that his IQ has been upgraded to the level of a genius, but Rosen's learning ability is no less than that of the top geniuses of the human race.

After sending Viscount Aib away, Rosen began to offer a reward for a large number of extraordinary lives captured alive.

After obtaining these extraordinary lives, he immediately used the drawing skills to perfectly reproduce their charm and then sealed them in the space painting.

After a few months, he has upgraded his drawing skills to LV4 at an incredible speed.

After becoming a space trap maker, this is the second LV4 skill he has mastered.

[Drawing skills LV4: With special pigments, it can draw spiritual paintings that perfectly imitate and replicate the charm of the target]

[Enhanced characteristics: Painting prison - can hide additional painting prison space in the painting space]

[Enhanced characteristics: Heart prison - can affect the spirituality of the life in the painting through the heart prison]

When the drawing skills were upgraded from LV3 to LV4, Rosen used the heart of the sequence 4 heart eater as the strengthening material.

He promised to paint a spiritual painting for the person in the future, and then successfully traded for this super rare material.

However, the enhanced drawing technique did not disappoint Rosen.

The painting prison is actually the prison hidden in Viscount Aib's painting.

If you draw a sheep-headed monster, and then capture the sheep-headed monster and put it in the painting prison.

Then the sheep-headed monster drawn by the drawing technique is second only to the painter's self-portrait.

More importantly, the sheep-headed monster drawn can perfectly grasp the extraordinary abilities and all memories of the real sheep-headed monster.

Of course, although the painting prison is powerful, the premise is that you can capture the target alive and imprison it in the painting.

And you have to ensure that the target will not starve to death in the painting prison, and you need to ensure basic survival needs.

Relatively speaking, the enhanced characteristic heart prison is much more powerful.

Rosen looked at Kuroro in the frame in front of him, and then looked at Kuroro who was a little uneasy as a model on the opposite side.

He activated the Mind Prison feature, combined with the Mind Canvas, what Kuroro thought in his mind, what appeared on the Mind Canvas, and he could even flip through all of Kuroro's memories through the Mind Canvas, and then seal any part of the memory in the Mind Prison.

He could also manipulate Kuroro's thoughts and consciousness through the Mind Canvas and the Mind Prison.

He manipulated Kuroro in the painting in the painting, making him think he was a cat.

Kuroro, who was not far from him, immediately squatted down and licked his hand like a cat.

This was only the LV4 drawing technique. After mastering more features, the high-level drawing technique could even directly seal the target in the painting, ignoring almost all defensive curse targets, or directly causing various damages to the target through the painting.

There was once a painter who drew a demigod and then burned the painting casually.

As a result, the demigod, who was hundreds of thousands of miles away, was burned to ashes alive by ordinary flames.

All high-sequence painters are masters of playing with curses.

Rosen was ready to make persistent efforts and learn the last skill, the finishing touch.

However, the finishing touch is not a skill that can be mastered by painting at home, but requires going to the spiritual world, sensing the ubiquitous historical traces in the depths of the spiritual world, and then capturing these historical traces and integrating them into the spiritual painting like the finishing touch.

The Dungeon Kingdom has only one city, and ordinary people live in the hidden spiritual realm in the royal city.

In addition to the vast number of dungeons, the Dungeon Kingdom also has rich underground mineral resources.

In those valuable veins, temporary mining towns will be formed.

When the veins are exhausted, the mining towns will disappear quickly.

Tiemu Town was once such a mining town.

However, unlike other mining towns, the people living in Tiemu Town are not miners but farmers.

Because although there is precious extraordinary material rutile ore here, the iron content in the ore is very low.

In the end, there was no choice, and the Dungeon Kingdom chose to plant a large number of ironwood.

Relying on the characteristics of ironwood absorbing iron elements to grow, the extraordinary metal rutile here is absorbed into the interior of the ironwood.

Finally, the ironwood was burned to obtain the precious extraordinary metal rutile.

In addition to this special feature, Hongtie Town is also a rare mining town that did not end well.

The ironwood planted here, which contains red iron, attracted a sequence 4 iron-eating earth dragon in the underground world. The entire mining town was wiped out by the iron-eating earth dragon. Since there was not much red iron left, it was not worth it to continue planting ironwood.

In the end, this place was completely abandoned and eventually forgotten by the world with the collapse of the cave passage.

If Rosen had not consulted official information as a painter, he would have found it difficult to find this forgotten town.

According to the experience summarized by the painter, the best way to perceive the past traces of the object to be painted is to go to the place where the past people and things finally disappeared and destroyed, because it is easier to perceive the past traces here.

Rosen did not share the power of the gray mouse, but let the gray mouse take him to burrow underground.

Although he can also burrow underground with the ability of sharing pets, he is not as fast as the gray mouse underground.

Two days later, Rosen was a little dumbfounded when he looked at the completely buried Ironwood Town.

He tried to activate the virtual world scan, but the virtual world scan was really not very useful here.

Because the soil underground contains tiny red iron, the town's buildings are made of local materials and contain weak spirituality.

So relying on the virtual world scan, basically nothing can be scanned.

Rosen had to expand the divine territory and release several crypt demons recruited during this period.

Then command the crypt demons to dig out the Ironwood Town.

The ash beehive and the demon nest, both of these military buildings were transformed into divine buildings by Rosen.

The ash nest now produces one ash bee a week like the slime nest.

The time it takes for the demon nest to produce crypt demons has not been reduced, but the probability of producing mutants has increased.

The efficiency of the crypt demon itself in digging the soil is very high, and as long as the soil and rocks are not attached to the ground, the void scavenger can instantly collect these loose soil and rocks, and even decompose and extract red iron from them.

Rosen disliked the slow work, so he simply expanded the divine territory and sent all the generals and people out.

Several catmen who had been transferred to the miner sequence finally found their place and played a huge role at this time.

So it only took a few days to dig out the underground ironwood town.

All the buildings were built with rocks and ironwood, so most of the buildings were still well preserved after hundreds of years.

Only some buildings were destroyed by the iron-eating earth dragon.

Rosen released the hunting god eye and looked down at the whole town with God's vision.

Then he sketched on the mental canvas and drew the whole Tiemu town exactly.

With the overall sketch, the next step is to detail each building.

Rosen carefully observed each house inside and outside and drew a separate picture for each.

Since these paintings are not spiritual paintings, there is no need to inject spirituality when drawing.

So with his hand speed, he can easily draw an ordinary painting in a few seconds.

Even those collapsed and damaged buildings, Rosen carefully repaired them like building blocks and recorded them with paintings.

He spent several hours to draw the whole town.

At this point, Rosen set up a flower stand with a diameter of ten feet and began to draw a spiritual painting of Tiemu Town.

Through the drawing technique, Rosen drew the whole town in detail.

Even the texture of the ironwood board on an ordinary wooden house, he drew it completely realistically.

It took two months to paint this picture, and the Tiemu Town that was exactly the same as the Tiemu Town in history appeared in the painting.

After the scene was painted, the next thing to do was to paint the most important people.

However, the buildings can be restored, but it is not so easy to restore people.

Fortunately, this world not only has painters, but also photographers, and things like cameras that ordinary people can use.

Rosen took out a group photo found in the archives, which was a large group photo of more than a thousand people in Tiemu Town.

There are many group photos like this in the human world, which are precious materials left by predecessors for future generations.

If there are painters in the future who want to paint spiritual paintings for Tiemu Town, these materials left by predecessors can play a huge value.

If the predecessors did not even leave any materials, it would be difficult to find traces of history in the depths of the spiritual world.

Even if hundreds of years have passed, this photo can clearly show the clothes and appearance of each person.

Rosen has reached a very deep level of observation of people after painting figures continuously over the years.

He began to observe carefully which house these people in the photo lived in the town.

Of course, it is impossible to see all of them, but there is a person wearing a hat, and he found the rotten remains of the hat in a box in a house in the town, so he can know where this person lives by comparing.

After all the people who can be matched are found, Rosen starts to add people to the ironwood town in the painting.

For all the people who are successfully matched, draw this person in the corresponding house.

For the remaining people who can't be matched, they will be drawn on the streets and in the working state of planting ironwood. In short, all of them are drawn in the painting without missing a single one. People are much more difficult to draw than buildings. Rosen spent three months on this painting.