Chapter 140: Eight-Foot Mirror

The "Knock on the Heavenly Gate" should have been straight, but in this space distortion, it was like the refraction of the water surface, showing a state of dislocation.

The national teacher used the dislocation caused by this space distortion to copy multiple "Knock on the Heavenly Gate" that were difficult to distinguish between the real and the fake. Even the sword masters at the pseudo-immortal stage could not help but sigh that the "Taiyi Cuoying Fenguang Sword" could still be used in this way, which had reached the extreme of this way. There was even a little shadow of the "Heavenly Sword".

In an instant, more than ten "Knock on the Heavenly Gate" appeared, slashing at Himiko from different directions.

At this time, Yue Yejian and Suzanwu became vassals of Himiko, which was no longer important.

The power of this sword was far above that of Qingwei Zhenren. Even if the difference between the immortal sword and the semi-immortal object was not discussed, the national teacher's deep understanding of space and swordsmanship was definitely not what the young Qingwei Zhenren could achieve, even though Qingwei Zhenren already had the strength of an immortal.

This was the experience and foundation that Qi Xuansu had been thinking about.

A quasi-first-tribulation immortal had reached the extreme in the use of his own power.

Even Himiko, who had gathered the power of the three noble sons' incarnations and had the strength of an immortal, did not want to use her golden body to take the sword head-on, so she could only change the rules of the divine domain.

Upside down, left and right, positive and negative, yin and yang.

She is the master of this divine domain, and nothing can't be changed.

So these "Knock on the Heaven Gate" fell into the air, split the sea, cut the sky, pierced the mirage, and tore this world into pieces. From time to time, you can see the real world outside the divine domain.

However, as long as Himiko, who is the core, is not hurt, these cracks will be restored in an instant.

At this moment, there is another sword that is not affected by any rule changes and goes straight to Himiko.

It is the body of the "Knock on the Heaven Gate".

As a real immortal, and controlled by the national teacher, it has the confidence to ignore the restrictions and rules of these divine domains, but instead presents a momentum of cutting the Gordian knot, and moves forward.

Himiko waved her sleeves and created a space made entirely of flames between herself and the Imperial Master, intending to slow down the speed of the sword.

However, this sword was far beyond Himiko's expectations. The sea of ​​fire was instantly split in two, and there was no way to stop it.

A sword mark from shoulder to rib appeared on Himiko's body, like a ravine, from which golden divine power fell like rain.

Then this sword wound healed rapidly at a speed even faster than that derived from flesh and blood. This is the mystery of the Shinto Golden Body.

At this time, the three main gods were similar to a Dharma image, not a physical entity, but a virtual body condensed by divine power. It had a shape but no substance, so naturally there was no weakness at all, and it would not be completely defeated by this sword. However, this sword also greatly consumed Himiko's divine power. As long as the divine power was depleted to a certain extent and the divine domain was difficult to maintain, she could only return to the kingdom of God.

The national teacher did not stop, and slashed out with another sword. The sword light of "Knock on the Heaven's Gate" extended to more than ten miles long. The sword light was as bright as the sun and the moon, straight and unstoppable, raised to the highest, and unparalleled.

Wherever the sword light passed, the divine space cracked, as if a piece of wallpaper was torn off, revealing the outside world, and it could not heal for a long time.

If it were in the real world, I really don't know how powerful this sword would be. I think it would be like splitting mountains and seas.

Draw the sword when the air is cloudy, and kill the dragon where there is a dragon.

Even if there is a dragon blocking the way, it will be beheaded by this sword and become a dead soul under the sword.

Himiko did not dare to take this sword with her Dharma body. She saw a mirror in her hand, shining brightly.

It was the first of the three great artifacts-"Yata Mirror"!

At the earliest time, mirrors were regarded as amulets in Fenglinzhou and were often hung on the chest.

As the leader of all mirrors, the Eight-foot Mirror naturally has the power of protecting oneself.

The Eight-foot Mirror quickly enlarged, and was no less powerful than the sword light that spanned more than ten miles. When the sword light fell on the mirror, there was a sound of metal and stone colliding.

After Himiko blocked the sword with the Eight-foot Mirror, the blazing sun behind him gradually faded away the flames wrapped in it and turned into a mirror. Wherever the mirror light shone, the divine realm was turned into a mirror world, as if it was made up of countless mirrors. The torn cracks were also filled and repaired.

This is the second magical power of the Eight-foot Mirror, called the "Mirror Realm", which can absorb people or souls into the mirror world, but the state master's realm is too high, and it can't be absorbed at all. Himiko is not a person who doesn't know how to adapt. He simply changed the use of it and released the mirror world to repair the fragmented divine realm.

If the mountain doesn't come to me, I will go to the mountain.

Himiko raised the "Yata Mirror" in her hand again, pulling the billions of mirrors in the surrounding "Mirror World", and then gathered all the light reflected by these mirrors on the "Yata Mirror" in her hand, waiting to be released, and constantly gathering strength.

This is the third level of the "Yata Mirror".

The great demon Tamamonomae was seriously injured by this level of the "Yata Mirror", and his cultivation was greatly damaged. He had to flee from Pingjing and was eventually besieged to death. It can be said that it was powerful.

If it were an ordinary celestial being, as long as he was illuminated by the "Yata Mirror" like this, he would be turned into ashes immediately, without any chance of survival.

Even the national master did not dare to say that he was unscathed.

However, the national master was not panicked. The "Yata Mirror" was one of the most powerful artifacts in Fenglinzhou, and it was indeed powerful, but the "Knock on the Heavenly Gate" in his hand was not ordinary.

If we compare "Knock on the Heaven's Gate" with the equally famous "Human World", the advantage of "Human World" is that the sword contains sword energy, and the sword holder does not need to infuse additional sword energy, just like riding a horse, you only need to concentrate on controlling the horse, and you don't have to spend energy running. However, the reason why "Knock on the Heaven's Gate" is a fairy sword is that this sword can resonate with the heaven and earth, and respond to the mind, body and realm of the sword holder. The higher the realm of the sword holder, the greater the resonance of the heaven and earth can be caused by this fairy sword, and the more powerful it can be.

In the stage of innate people, the power of "Knock on the Heavenly Gate" is not even as strong as many top treasures. After reaching the stage of heavenly people, "human world" is still stronger than "Knock on the Heavenly Gate". Only after reaching the stage of infinite, the two can be roughly equal, and after reaching the stage of creation, "Knock on the Heavenly Gate" will surpass "human world". As for the stage of immortality, the gap between the two is even more obvious.

In other words, the higher the realm of the sword holder, the greater the power that "Knock on the Heavenly Gate" can exert. As a quasi-first-tribulation immortal, the national teacher is almost the ultimate in the world, and the power of "Knock on the Heavenly Gate" can be imagined.

Compared with other immortal objects, the role of "Knock on the Heavenly Gate" seems a bit single, but the upper limit is extremely high, almost endless.

The national teacher pointed the sword to the sky.

A sword light passed through the battlefield between Zhang Qihan and Feigong Xizi, through the mountain of Dayu Shenshan, through the divine domain and "mirror world", and descended here in an almost unreasonable manner.

It's like a dark room, and the person in the room pushed open a crack in the door.

I saw that this huge sword light had not dissipated for a long time, like a ray of sunlight, shining into the dark house through the crack of the door.

Under the interference of this sword light, the original balance was immediately broken, and the reflected light of billions of mirrors immediately became chaotic and could not gather on the mirror surface.

Even the mirror surface of the "Eight-foot Mirror" was rippling with layers of ripples.

This sword light is the embodiment of the resonance of heaven and earth in "Knock on the Gate of Heaven".

If Himiko's real body was here, maybe she could still block this sword light. But she was just taking advantage of it at this time, similar to Qingwei Zhenren who had the strength of an immortal through the "Qingyu Pearl". Compared with the national teacher, she was still inferior, and broke through the double blockade of the "Mirror Realm" and the God Realm.

In desperation, Himiko could only shine the "Eight-foot Mirror" in her hand on the national teacher in advance.

The light contained unparalleled divine power, which turned into the true fire of the sun, and burned the national teacher to ashes.

Even if Himiko had finished accumulating strength, she might not be able to burn the national master to death, not to mention that she was interrupted by the national master when she was only halfway through accumulating strength?

The light column fell on the national master, and the national master used the "Taiping Qingling Sutra" to imitate the unique skill of the earth master "Xiaoyao Liuxujie".

The so-called "Xiaoyao Liuxujie" is taken from Nanhua Patriarch's "Xiaoyaoyou": "Ride the righteousness of heaven and earth, control the debate of six qi, and travel infinitely."

This method is practiced to a high level, and can attack and defend, and is said to be able to transform everything.

"Xiaoyao Liuxujie" has a total of three stages, which are progressive. Because Zhang Yuelu's realm is still low, he is only practicing the primary stage, which can also be said to be a simplified version called "Liuxujie". The earth master has already practiced to the third stage, called "Xiaoyao Liuzhu Liuxujie". The national master is just imitating, so naturally he cannot be compared with the earth master who specializes in this method. However, with the national master's realm and cultivation, he dare not say that he can understand all methods, and it is not difficult to imitate the second stage "Xiaoyao Liuxujie".

Although the flames condensed by Himiko with the "Yata Mirror" are strong, they are also within the scope of the "Six Qi", which are Yin, Yang, Wind, Rain, Darkness, and Brightness. Himiko's flames are the true fire of the sun, and contain the meaning of the brightness of the Great Sun Tathagata, which corresponds to the Yang and Brightness in the six qi.

The national teacher activated the "Xiaoyao Liuxu Jie", and the Yang turned into Yin, and the Brightness turned into Darkness. The way of heaven is to reduce the surplus and replenish the deficiency, reduce the strong and replenish the weak, and maintain the balance of the six qi, which is the fundamental of "controlling the six qi". Countless flames were immediately dissolved.

I saw clouds rising around the national teacher, and it was dark and gloomy. Some of the true fire of the sun was even reversed into dark Yin fire by the national teacher.

Then the national teacher used Yin fire to attack the true fire of the sun that had not yet been transformed.

Yin fire is the final means of the "Thirteen Swords of Taiyin", symbolizing Taiyin, and is incompatible with the true fire of the sun that symbolizes the sun. The two collided and exploded immediately, and continued to annihilate, and huge ripples spread in all directions.

Countless mirrors that made up the "Mirror World" exploded one after another, even affecting the "Yata Mirror" as the main body.

The light and shadow on the "Yata Mirror" were disordered, the ripples became chaotic, and even a crack appeared. Although it was quickly repaired, in this moment, a fox phantom escaped from the crack and flashed away.

This scene did not escape the eyes of the national teacher, who couldn't help but laugh and said: "Himiko, the situation is over."